Post-Impressionism is a predominantly French art movement that developed roughly between 1886 and 1905, which was from the last Impressionist exhibition up to the birth of Fauvism. The movement emerged as a reaction against Impressionism and its concern for the naturalistic depiction of light and color.
Post-Impressionists both extended Impressionism while rejecting its limitations: the artists continued using vivid colors, a thick application of paint and real-life subject matter, but were more inclined to emphasize geometric forms, distort forms for an expressive effect and use unnatural and seemingly random colors.
Due to this broad emphasis on more abstract qualities and symbolic meaning, Post-Impressionism can encompass sub-movements such as Neo-Impressionism, Symbolism, Cloisonnism, and Synthetism. The term Post-Impressionism was first used by English artist and critic Roger Fry in 1906 and then again in 1910 when he organized the exhibition, Manet and the Post-Impressionists, which defined it as the development of French art since Manet, a key figure in Impressionist painting.
To understand what how the movement manifested itself in the art world, here we explore the artists and artworks that defined Post-Impressionism.
Paul Cezanne
The work of Post-Impressionist French painter Paul Cezanne is said to have formed the bridge between late 19th century Impressionism and the early 20th century's new line of artistic inquiry, Cubism. The mastery of design, tone, composition and color that spans his life's work is highly characteristic and now recognizable around the world. Both Henri Matisse and Pablo Picasso were greatly influenced by Cezanne.
"You say a new era in art is preparing; you sensed it coming; continue your
studies without weakening. God will do the rest."
- Paul Cezanne
French post-Impressionist artist Paul Gauguin was an important figure in the Symbolist art movement of the early 1900s. His use of bold colors, exaggerated body proportions and stark contrasts in his paintings set him apart from his contemporaries, helping to pave the way for the Primitivism art movement. Gauguin often sought exotic environments and spent time living and painting in Tahiti.
"In art, all who have done something other than their predecessors have merited
the epithet of revolutionary; and it is they alone who are masters."
- Paul Gauguin
"Love many things, for therein lies the true strength, and whosoever loves much
performs much, and can accomplish much, and what is done in love is done well."
- Vincent Van Gogh
Claude Monet was born in 1840 in France and enrolled in the Academie Suisse. After an art exhibition in 1874, a critic insultingly dubbed Monet's painting style "Impression," since it was more concerned with form and light than realism, and the term stuck. Monet struggled with depression, poverty and illness throughout his life. He died in 1926.
"Everyone discusses my art and pretends to understand, as if it were necessary
to understand, when it is simply necessary to love."
- Claude Monet
After training at the Ecole des Beaux-Arts, Georges Seurat broke free of tradition. Taking his technique a step beyond Impressionism, he painted with small strokes of pure color that seem to blend when viewed from a distance. This method, called Pointillism, is showcased in major works of the 1880s such as "A Sunday on La Grande Jatte." Seurat's career was cut short when he died of illness on March 29, 1891, in Paris.
"Originality depends only on the character of the drawing and the vision peculiar
to each artist."
- Georges Seurat